Showing posts with label Music Festivals. Show all posts
Showing posts with label Music Festivals. Show all posts

Monday, 30 June 2014

Rob's Glastonbury 2014

​What did you do this weekend? I ended up driving 500 miles to spend just 48 hours on holiday. In previous years I would have said to my boss 
"Sorry about your meeting - THIS weekend, I'm busy. This weekend is my highlight of the year"
Here is someone who did the right thing last weekend - sent direct from Worthy Farm.

Rob's Glastonbury 2014


Text Message 26/06/14 13:16
The festival starts.  Awaiting the downpour mess tonight but good today. Have Rum-based buoyancy aids- will survive.

Text Message 26/06/14 20:28
Already seen some great passed out bodies! Dry tonight, wet tomorrow. Camper van method definitely rocks - borrowed my neighbour's van !

Text Message 26/06/14 20:32
coldish cider and an eerie to retreat to.. Awaiting Kate Tempest on stage in the Common..

Text Message 26/06/14 20:55
Metallica vs. quiet shit in Avalon - Beth Orton , Icelandic emiliana torrini. Head says quiet, heart says bear 'huntin Metallica. Dead cert is the after midnight choice wobble to 808State then Todd Terry then home to cocoa and medals..



 Email  27 June 2014 04:19
 Leon's vegetarian stall.
 What a night.
 Bed time.


Highlights?



Email 27 June 2014 17:14
In no particular order...

  • Kate Tempest - flipping awesome angry rap poetry
  • Donating items to random strangers..
  • Guilty Pleasures - all the kids dancing to tunes popular before they were born. And us.
  • Obligatory Flamethrower machines
  • Ros' Queue jumping techniques - varying effectiveness.

Breaking in to the Rabbit Hole (actually quite boring) private party only to wave from the inside at Ros still trying to jump the queue - getting thrown out, then repeatedly breaking back in and pursued by the harassed but reassuringly polite security guard - this became ever increasingly hilarious (for me) as the cat and mouse chase game escalated.

We were quite drunk by then.

Meant to go home at midnight - 4am finish in the end.

More tonight..


Email 28 June 2014 15:20
West Holts field but pear cider place is now something else..

... And they say Glastonbury is becoming gentrified. Goodness - my crisp Australian Rose wine accompanying the lobbie was warm. You'll be glad to know I'm still slumming it!


Text Message 29/06/14 18.13
The Horrors are very reminiscent of Psychedelic Furs.. Off to see Brian Jonestown massacre next


What was best?

Text Message 30/06/14 18.02
No further good food after the lobster - just top ups. Sunday was fine BJM I think was my highlight along with a couple of hours in the Peoples Front Room with a band called Bombs. London Grammar good - sort of worth the wait to get right to the front.


Photos and text copyright Rob Sanders 2014

Friday, 25 October 2013

My Twenty years at the 1992 Reading Festival - Nirvana, PJ Harvey, L7, Shonen Knife, Bjorn Again

My Reading festival diary from 1992, the year Nirvana played their legendary set. A victim of multiple software crashes, latest thanks to the new GMAIL chat/txt editor, and brain fades.  More recent observations notes are in square brackets, italics are from second or third draft in approx. 1995.
I have grown to appreciate Nick Cave more in the intervening years


My Twenty years at the 1992 Reading Festival

These few remaining parts of Capt. Hodgson’s journal were found by the Norwegian rescue team a few weeks after his ill fated attempt to single-handedly conquer one of the most inhospitable music festivals in the world. The slow disintegration of body and mind in the midst of arctic weather and chronic snakebite (surely frostbite - Ed) are fully in evidence here in the first part of the journal which is repeated here as it appears in scrawly black pen on the back of a "Reading Campaign Against Racism and Fascism" leaflet.

' "But its coming from that way now!" A tall blonde Antipodean is trying to manoeuvre his tents entrance away from the direction of the rain.  I feel like grabbing the sad Australian git and shouting "YES ! Welcome to English weather you tanned bastard - AND THIS IS JUST THE BEGINNING"

Its just begun to rain at Reading (17.55 - Friday) and as I'm here on my own I thought I'd keep a journal. No Matter what the conditions. I think the John Pilger book I've been reading is getting to me. Vietnam, Cambodia ... Pah ! This is READING and even a gut full of snakebite and a lack of tent pegs isn't going to stop me describing the horror. God. The Horror."

Ironically a major reason for the eventual abandonment of the journal some 36 hours later is the requisitioning of all pens in the tent to hold it down during the gale and torrential rain of Sunday morning. It continues.....

"A man opposite my tent has started hitting a large piece of scrap metal with a hammer. My first impression is that he's building himself a toilet. I haven't been to the toilet yet. I think this is a bad sign."

"I am pretty pissed actually."

"(Maybe he's trying to make Reading campfire music. Is he going to be doing this all night ? At Cambridge (Puffy, fiddly, diddly etc) Festival they play Roger Whitaker songs on acoustic guitars quietly so it doesn't wake the kids up. Here they just hit pieces of scrap metal with hammers. At least it provides a use for the deck chairs."

"And I actually am quite pissed.  Exhausted by the toil of bending all my tent pegs. I realised I needed some more but found the Camp Shop (no - they weren't all dressed as Danny La Rue and I'm glad I didn't mention it) had sold out of everything but Mars bars. (WHY? Would we really be able to get obese enough on confectionary over a weekend to improve the stability of our tents ?). Beer and Programme them" ? 
Increasingly hard to make out
 "Programme cost 4 quid. I don't know where its worth it or not coz I'm still talking to you (I hate writing when I'm drunk). Beer - one thing I respected Reading for last time I went was they way they had a " "Strict" or "Shit" Oz lager tent. Fiddly diddly nearly put Chris off festival puff shithole Cambridge Folk Festival's only alive bit is its Guinness tent - very fucking.." 
unreadable
"+ woobily swelter"
Probably meant to say "Sensible and woolly sweater"

"The guy across from me has just emptied a sweater full of scrap metal into a bin bag"

"Reading Festival had a lager tent. But this year - Nothing ! I THINK - especially from the camp/site car park, that they,re trying to take over from Glastonbury. The beer is all workers beer company. £2 a pint !"

At this point his delirious mind seems to hear the voice of a colleague now sitting at home watching the weather on Ceefax saying "III tooolld yooouu soooo ...."

Gradual improvement in the scrawl would indicate the amount of blood circulating around the snakebite in the brain is on the increase.

"I made a note of the best t-shirts I've seen so far. My favourite at Glastonbury was HIPS, LIPS, TITS, POWER (Silverfish). Most of the t-shirts here are Nirvana ones worn by 15 and 16 years olds. The best of those that aren't are:-
ALTITUDE NOT ATTITUDE
READING FESTIVAL - CULTURAL CHERNOBYL (Manic Street Preachers)
FUCK WOODSTOCK (Therapy ?)
KEEP MUSIC EVIL (Fatima Mansions)

"Interesting comparison No.2- Glastnobury is surrounded by the slopes of a gorgeous West Country valley. The only scenery visible from the main stage here is a tall and quite ugly block of flats." 
A clumsy X has been scrawled after this. This block of flats became the target of much of the shouting during Public Enemy.

"Its lovely to see neckless skinheads on the Hog Roast stall- which someone how seemed to attract customers at Cambridge and Glastonbury- being treated like the KKK here." 
During Saturday night when the Ice Age descended the piles of rubbish and discarded Workers Beer Company paper pint pots were collected together by Reading Man to form primeval bonfires.
 "What da fuck is dat ? Da KKK ? Put dat shit out !" said Chuck D  (thankfully shielded from the sight of the Hog Roast boys by a speaker stack) in a very Public Enemy idiom.

"I'm writing this in my tent on bits of paper. Nowhere sells notebooks. I asked a guy at a Workers Beer Comp bar where to get paper from and he thought I meant Rizlas. No amount of talking to this man could convince him that I actually wanted a notepad. I wanted RIZLA's and I was too embarrassed or paranoid to admit it."

"I must unpack now and digest the sight of the main area about 3 hours into Day 1. When I was last at Reading it was a sunny day and the clientelle and setting reminded me of Bartertown from Mad Max 3. You just knew Tina Turner would have gone down a storm. Today under broiling black clouds (normally only seen in Spielberg films) and the occasional bright blue sky the mindless, doomed, stumbling hordes look like characters from the end of Moorcocks "Stormbringer", as the forces of law and chaos square up for the battle that will bring about Ragnarok. In essence much like Donnington (Monsters of Rock) but with more O levels and less denim and acne. PiL are on soon. Must now unpack"

The journal continues on the back of a "Youth Against Racism in Europe" leaflet. He has just entered the main site and the snakebite has been topped up with real ale. Evidence of feeling sorry for himself. The attempts at Hunter S. Thompson now seem more like Thompson Local.

"This is a moment in time. Years from now grunge metal and Nirvana will be history and I'll be at Donnington or .... "

A totally unreadable word.
He wanders over to the main stage and begins to gaze at the startlingly intelligent and clean looking brunette on stage with the guitar. Is she at the wrong festival ?

"Spooky ! I asked three times at a club this week"   (Dizneyland) Actually night before last, what a rock and roller ! "I asked about 3 times who does a song they kept playing called Sheena-na-Gig. Its the first thing I hear when I turn up ! PJ Harvey ! And its the last song of the set..."

"The PiL clientelle are arriving" Lots of mean looking bastards kicking Utah Saints fans out of the way on the way to the stage. "PiL start by doing a Led Zeppelin tune I Know they are taking the piss. Some of the crowd don't and they are swaying admiringly to the music as Johnny leers at them. "England gone soft" he shouts - the first of many jibes at the crowd. I'd like to see him at the front row of a Godfathers concert. He lives in fucking Hollywood. He pulls a moonie, showing a big middle aged bum. He's suffering from chronic Townsend Syndrome"

"The crowd if front of him are now shouting "Johnny is a Wanker".
"So I'm a wanker" he says loving the abuse "I'm proud of it. The trouble with you youngsters is you're afraid of you're own sex tools"
A couple of actually pretty good songs later he's got the crowd and me on his side. "There's aren't many good things left from this country - And I'm one of 'em" A moment later he adds "Not bad for an Irishman" as if he's having trouble taking himself seriously these days. Q says Johnny Rotten/Lydon is not so much a singer as a music hall comedian. You can see why. Just to be nice they overrun by half an hour to play EMI- an old Sex Pistols song. This is good. And funny. Because it means the Wonderstuff, who are on last, are going to have their set cut short. He he he. 1 - Nil to the oldies."

Suddenly the young trendies equalise with The Charlatans. Millions of school girls in baggy t-shirts appear out of nowhere. I feel like an alien so I leave.

Unfortunately none of the food stalls are specialising in non-terrestrial …

<no idea what I’m talking about here. I was, and am knocked out by the food at Glastonbury and it always one of the highlights>

…so he makes do with some scrumpy and oggles for a suspiciously long time at the poster stall. This fact coupled with bizarre hippy bullshit about "The setting sun making the edges of the storm clouds glow gold" could possibly indicate Capt. Hodgson had been hitting the morphine quite hard. A final admission that "Frank Sidebottom - V. Funny" would seem to confirm this.

Here our on the spot commentary ends - the remaining pages lost in the apocalypse that also ended the journal and should have been a decent English Sunday morning. Later - under hypnosis to avoid further trauma, Capt. Hodgson would recall the rest from memory

Mmmm... Saturday. I did make a mental note that whatever instruments the Smashing Pumkins were using were of excellent quality. Try as hard as they might they just could not smash them up at the end of the set. As well as John Peels Full Results Service the real highlight of the day was Shonen Knife. Cute oriental schoolgirls playing aparenlty innocent nursery rhymes in the manner of The Clash.
"This song..." said the lead singer from a mouth in which butter would not melt as if talking to a class of 4 year olds "..is about a cat" Before launching into a song more Black Sabbath than childrens tv she sneaks a cheaky "Meeoow" into the mike prompting a WAAAARRRRGHH !!! from the seething horde of salivating greebos.

Sunday morning is really beyond description. Maybe I should read some WWI poetry. Imagine waking up in a gale in a badly secured tent and realising you're sharing the Somme with 30,000 irresponsible grebos and crusties with toilet training even worse than you're own. Also the men on the Somme hadn't been drinking snakebite for days.

Hours later, about 30 minutes before the first band of Sunday was to go on the rain had stopped and we all trudged up through the ankle deep mud toward the entrance to the main sight. I didn't know weather we were going to enter it or surrender to it. It was then I met a friends who I found disgustingly chirpy and clean - who had just arrived for one day with some of his friends. "You mean.." said a girl "You've been HERE for 2 DAYS ?"

Three pints of snakebite later it was raining again but I felt much better. The day really got swinging when Bjorn Again came on. We made our way to the front and in the sweat hot crush and ankle deep mud we wished we were wearing platform shoes as we pogoed ourselves deeper into the mire. It was a wonderful atmosphere, like Tom Jones at Glastonbury. No macho crap. Mass frenzied silliness. Made all the more funny by the way everybody new the words to all the songs and sometimes our singing seemed to drown out the band. It seemed hardly out a place that a man stood next to me wearing a mud caked wedding dress. During "Take a Chance on Me" he got me to give him a leg up - something I immediately regretted as soon he began to suck his foot out of the mud. My hands after this were enough to make the girl next to me shriek.

We got very muddy. Though not as muddy as some of the other bands that day (mostly Seattle type stuff - what others would call Sub Pop grunge crap) notably L7, who turned from Girlies with an Atitood to girlies with genuine bad moods under a constant (but basically good natured) barrage of mud from the crowd.

<I distinctly remember a guy directly in front of me thowing mud at the L7 bassist who seemed to think it was me. I was quite embarrassed about it. She stormed off and then back on to throw something back before continuing. Next week found out from Select magazine that someone from L7 had thrown her tampon at people in the crowd. It’s possible general embarrassment at this incident stopped me mentioning it the first time>

Other than PJ Harvey and Shonen Knife (all girlies) the only other band who came on who weren't pretending to have an Atitood were Nirvana. Huddling in the cold around a burning pile of rubbish waiting for fucking Nick miserable twat Cave to get off the collection of bikers I was with was taking bets on whether Nirvana would turn up at all, such was the level of rumour about the lead singers state of health.

<At some point I detached myself from the others. I thought they were so fed up they were about to leave. Sentiment was generally very anti-Nirvana and response to Cobain's health rumours was “I hope he’s dead”. We were all in agreement on Nick Cave though now I would probably have enjoyed it..
…Just forward to 1997, a Stag Night at the Hogs Head in St. Albans, the news that Kurt Cobain has shot himself is the start to the evening and the general response is
“Good!”
and
 “Who?”
Only seeing a semi conscious soon to be groom in a shopping trolley travelling down the old railway line later would save that evening for me>

Then Nirvana came on. In response to rumours that the Mr Cobain was at deaths door a nurse pushed him on in a wheel chair, while Mr Novoselic made a Dr. Kildare speech thanking doctors and family for their support. They were taking the piss. They didn't play "Teen Spirit" (Bjorn Again had done their own version earlier). Asked us to say hello to the lead singers new baby, we sang happy birthday to the bassists Grandma (who thankful was safe at home in - wait for it - Bosnia), and told crap jokes while they were re-tuning guitars. I mean - obviously they smashed all their instruments up at the end - OBVIOUSLY but you got the feeling its coz they were having a laugh rather than making a statement.

Towards the end of the last song each member of the band began to do their own thing. Lead singer sat at the front showing the crowd experimental guitar, the bassist wondered off in search a fire extinguisher and the drummer began standing his drums on top of the amps. He then used a symbol as a frisbee to knock them off. Eventually the fire extinguisher arrived and the band escaped through their surreal musicscape covered by clouds of carbon dioxide that glowed bright white in the lights.

Music was pretty good too.

*** ALL THE  IMAGES ARE RIPPED OFF ***

2013 notes
  • I was a huge Nirvana fan before after and since. I played it down then as virtually everyone I knew hated the band, but at the time I placed that Sunday night in my top three live performances I'd ever seen.
  • The crowd singing is often mentioned during 'Lithium' - it reached a climax during that song but everyone around me (and I was about 20ft in front of stage) was singing loudly to everything we knew the words to right from the off! Perhaps a collective and climactic bonding experience after three days of weather misery, I've experienced similar at Glastonbury.
  • Wow those jokes were bad :-)
  • They did play Teen Spirit apparently. When I finally caught up with the Nirvana Live At Reading DVD I remembered previously unheard The Money Will Roll Right In and D7 were highlights that ended the set very strongly
  • The fact that Nirvana insisted on the insane lineup for the Sunday - Shonen Knife, L7, Bjorn Again etc - because they didn't want 'lame' British bands (this would have been Britpop) makes it one of the first ATP like events, were performers are asked to curate the festival.

Sunday, 5 May 2013

Yeah Yeah Yeahs Film and Book recommendations from I'll Be Your Mirror 2013 program

Thank you Yeah Yeah Yeahs for making me aware of Slints the Locust and .. various over acts I would never have otherwise come across.

Anyway - to pay you back, for the benefit of other fans back  : here are your book and film
recommendations from the festival program. I'll be looking out for these.








I'll Be Your Mirror 2013

This is my previous experience of this festival - I may have been
optimistic expecting to get treated like this a second time

Perhaps reflecting the rest of the country, and the fact that ATP is
very sadly coming to an end, this festival was a shadow of its former
self.

It was much smaller for a start. What amounted to the 2nd Stage last
time was completely closed this time around, leaving only a much
smaller room as well as the main hall which often featured queues to
get in and out. The ability to wander around nearly all of Ally Pally
was a major feature of last time. I NEARLY convinced someone else to
come along this time just based on seeing Ally Pally itself. For half
a century is magnificent venue has been looking for an event which
exploits it's run down Victorian splendour to the full - seeing PJ
Harvey perform Let England Shake in here before seemed to briefly
capture that potential - is there a promoter out the with the
imagination to do it again?

First shock - no Mojito bar :-(
And mojitos orders at the standard bars were about the worst I've ever
had. As to the other booze, I don't mind paying through the nose for
good beer at a festival, but paying £4.50 to see someone pour beer out
of a can is downright insulting.

Food was heavily cut back to about four or five overused stalls - I bought two (ok) burritos during the day down to lack of choice and they came out with a pungeant vengeance later.

To be fair the venue never looks full to capacity, perhaps because they are careful with hype - not wanting to attract a mass market and go the way of Glastonbury..

Glastonbury Festival moaning
Crazy that people are still fighting for tickets to Pilton when events like I'll Be Your Mirror are being ignored - but then 100,000's of people turn up to Glastonbury just to stagger around drunk for for days, piss on someone else's tent and then go back and claim they are interesting because of it. From being the festival that made me feel like the most boring straight in the world in 1992, Glastonbury now is 90% comprised of people dressed like they've just come back from back packing around Thailand,  and today makes me feel like the drug dealer in Withnail and I.



So maybe ATP are smart to keep it small and we were all just lucky to be treated like royalty last time.

Saturday, 4 May 2013

I'll Be Your Mirror : Main Hall between bands

I'll Be Your Mirror : Palm Court

I'll Be Your Mirror : The Locust

Jah Shaka is 40 mins+ late and next band on that stage is tuning up so..

Back to Main Hall for supposedly uncompromising noise terrorists The Locust. Maybe it's the whiskey but this band really make ultra short and loud tunes work in a surprisingly melodic way. Not normally my cup of tea but this is best band so far. They got the band back together for this gig. Thanks.

*Update
Jon Spencer Blues Explosion was the band on immediately after and before the headliners. I've never got into this band despite some heavy recommendations and in this company they seemed tuneless, toneless and regressive. They made The Locusts seem like Sergeant Pepper era Beatles....

I'll Be Your Mirror : Yeah Yeah Yeahs live updates

Yeah Yeah Yeahs have imported a container load of New York freakzone to Alexandra Palace

Prince Rama: infectious tribal good natured trippy dance that featured and produced smiles all round.

Not far off pure entertainment, they looked like children's television presenters immersed in a swimming pool full of LSD, though to be fair " the wide open spaces put a zap on their heads" (to paraphrase Apocslypse Now) ... playing a colossal crumbling mostly empty Victorian palace would probably do your head in even when straight.
Climaxed with a zombie apocalypse onstage and off stage with a collection of Zombie Bez's to help with the dancing..

I'll Be Your Mirror @ Alexandra Palace 2013

Just about to spend my Bank Holiday Saturday at this, got my New York Playlist on right now

I'LL BE YOUR MIRROR 2013 CURATED BY THE YEAH YEAH YEAHS

Film program has two of my favourite movies on it: The Devils and Rumblefish .. Karen O obviously knows how to make me happy

But much as I like Mosquito, the new YYY's album the band I'm really thinking about right now, The Curfew, never actually existed.

I'm listening to the audio book of William Gibson's Spook Country and enjoying it a lot more this time around, even if it feels more like Brett Easton Elli's doing a pastiche of Jerry Cornelius than the other of the other books Blue Ant trilogy (Pattern Recognition and Zero History)

The Curfew only appear in the second book of the Blue Ant Trilogy and without hearing any of their music, as even in this fictional 2005 they have long since split up (they seem to be a cross between Curve and Sonic Youth) they are hugely entertaining as dysfunctional soap characters wandering through a dysfunctional spy story. They are or were, in this other 2005. partly based in New York and seem to be very cool in a lovably dorky way.. much like the YYYs.

Pics to follow

Pics from Portishead and PJ Harvey at I'll Be Your Mirror

https://plus.google.com/photos/103317081647591150319/albums/5651574827233869265
This was the words
http://corben-dallas.blogspot.co.uk/2011/09/ill-be-your-mirror-alexandra-palace.html

Friday, 7 September 2012

Blast from the past : Phoenix Festival 1996

Another festival diary.
Glastonbury takes a year off every few years, requiring regulars to go out looking for other festivals. Phoenix ran in the 90s in the Midlands at Long Marston. The difference between Long Marston and Shepton Mallet in Somerset is that Long Marston is an airfield with a vast flat wide open space in the Midlands with no shade.. 

and the difference for me in 1996 was that I'd just moved to a village in the middle of nowhere.. Kye and Cath had just met and where to get married shortly after but moved away (like virtually everyone I got to know in Parracombe). I've just got back into contact with them via Facebook. Pictures were all lost when Castelinks first server died.

"MORE LIKE PHOENIX ... ARIZONA"
The first sign of a major mover at Phoenix was in the weather reports the weekend before. Our month long cold spell would end and by the weekend it would be hot. Very Hot. Perhaps 82 degrees in some regions. Principally the Midlands. So - I took a flimsy sleeping bag. (This was so I could freeze my a**se off in the morning before I got a chance to get heat stroke).Amazingly in this tiny village I'd found a neighbour called Kye - who had offered me a lift with his girlfriend Kath to Phoenix on the Thursday morning. .


  
DAY ONE:
In the middle of a tortuous journey word reaches us that a mutual aquaintance who shall remain nameless will arrive at some point at the weekend WITHOUT a tent but WITH a portable barbecue.


Well anyway, we arrive - put up tents. Jeez its hot already. Adrian and Noelle just happen to camp next door. get on the wine. And champagne.


Finally enter arena much later. We catch the end of PRODIGY and then BOWIE arrives.
(The Times and ET would say later that those still in the huge queue to get in left their cars were they were at this point and ran in)


The first surprising thing about BOWIE was how close to the front we were able to get. 20 yards ? Ten years ago My friend Jane Weddell described how she had been unable to get close enough to DB to see more than a spec at the Milton Keynes Bowl. Its a sad reflection of his output since that the crowd here was so much smaller.


Of course - I thought he's been getting slowly better since Tin Machine... and I like the new stuff (some of which sounds amazing on the soundtrack of Se7en). Obviously I thought the old stuff was better. Which was the second surprising thing.


Most of the set came from the Alladin Sane/Lodger era but a lot of it - other than the stuff off OUTSIDE - was pre SCARY MONSTERS. Brilliant. Just to show how much of a sop it was to potential new fans three of the songs he did were more notably covered by someone else - MAN WHO SOLD THE WORLD (by Nirvana), LUST FOR LIFE (Iggy Pop) and ALL THE YOUNG DUDES (Mott The Hoople) - which was by far the best of the three.


So convinced was everybody that he would not be doing old stuff that it felt like we were seeing a very good tribute band. Except it was the real thing. Both session musicians were stunning.. The black bassist was dressed up like an Inquisitor from a Ken Russell film and filled in the other half of the duet on a quite moving version of UNDER PRESSURE. The bald lead guitar was a worthy stand in for Mick Ronson (?)


Climax of a brilliantly theatrical performance was MOONAGE DAYDREAM and the rest of the music at Phoenix was frankly a bit a an anti-climax afterwards.



DAY TWO
My jeans have been taken out of my tent during the night. Sigh. AND I had to go for ANOTHER shit. This wasn't going to plan.

Onto the main site with a bit of festival tutoring for Kye and Cath. Lesson One: Do not drink Snakebite all day.


KYE: What does snakebite taste like then ?
....OK, since you don't know I'll get you some. Just one right...


IAN MCNABB comes on. Kye is very impressed (he's just had his first snakebite). He is good but has no stage presence. (That's Ian Macnabb not Kye)

Then FLAMING LIPS. Psychedelic US rock which gets nowhere with the crowd until the lead singer announces the next song. Its about his brother apparently. On acid. Trying to escape from a grocery store. (You could see the bassist grimace with embarrassment). It was very funny and ended with ".... and he called upon the power of the Insects, and the Waterbugs attacked the Policemen..."
Had BECK come on early ? No. Beck came on in a very silly suit that looked like something Dennis Pennis would try and wear at the Garrick Club. Before launching into the first song he lit and dragged on a very conventional looking pipe. Rather too much to look respectable it seemed to me.
He opened with DEVIL'S HAIRCUT and played a lot off the new album. Surprisingly - he Rocked. With some aplomb. Only the Truckdriving neighbour song came out quiet. "..Bellyflopping naked in a pool of yellow sweat, Shouting JACKASS with a wet cigarette.." LOSER was a big hit with the crowd. And at the end he pulled out a hanky and tried to stuff it up his nose as he collapsed. People came out and carried him off the stage. Beck is sometimes compared to Bob Dylan but even ol' Bob couldn't do slapstick.
It gets hazy. I dragged my attention back into reality for FOO FIGHTERS but they were a big disappointment. They were at the end of a long tour apparently. I'd seen Faith No More and Radiohead under similar circumstances and it had only made them super-sharp. Grohl and co had given up already. They thrashed out their set and went home to bed.
Errr.... Comedians. Mark Hurst. Very good.

DAY THREE
... marked principally by a failure to get too interested in the dance tent. Since at night it was so crowded we thought it was a disaster waiting to happen. I thought I go during the day

It is Freezing in the mornings.... I need another shit.... Very bad news as the prefab SEARCH loos and portaloos are becoming practically unusable. Suddenly Glastonbury seems like a hospital.
IS A HOLE IN THE GROUND TO SHIT IN TOO MUCH TO ASK ?

The bands start and in a long hiatus waiting for the appearance of ANDREW WEATHERALL in the dance tent, I see a comedian, MARK STEELE, who is first on the bill and very good. One speech in particular, about the uselessness of language teaching, was not funny but so spot on it got a large round of applause. Destined for bigger things.

As LAMB would seem to be - who came on first in the Dance tent and who were so good they came back to play one of their few tunes again. They were the best thing on in the dance tent. Weatherall appeared eventually about an hour an a half late. I never saw the dance floor so empty.


Next good thing on was RED SNAPPER in the dance tent but not for ages so I morbidly took a look at JAZZ PASSENGERS FEATURING DEBBIE HARRY in the (eek!) Jazz tent. Initially Debbs looked like she had finally succumbed to the ravages of age . (But even at the start she looked like the Worlds Grooviest Granny) Peering through reading glasses at a music stand with lyics on, tied back greying hair, she still has one of the best voices around. Smart and funny too. When the Jazz Passengers let rip the granny routine was revealed as an act as the reading glasses and tied back hair came loose in a on stage pogueing session which got BIG cheers. After that all the old power was back.


Only downer was the crowd forcing the Jazz band to play "The Tide is High" as an enchore. A big shame as their own stuff was good enough to see even without Debbs.


RED SNAPPER are good once, maybe twice, but third time they are boring. For no apparent reason I wrote a screenplay on the back of a post card. It seemed very very good at the time.
Returning to the main stage I found MASSIVE ATTACK, who were OK. They were supposed to be on last according to the running order but this had been hijacked by Bjork for reasons which became apparent. Shortly after we saw a man in a Rhino suit go through the crowd, someone behind the stage launched (according to NME) 1000lbs of fireworks into the sky. The two seemed unconnected though the strange little Icelandic thing was singing "HUMAN BEHAVIOUR" at the time so you never know. Poor Bjork - took her at least three songs to get over the size of the crowd - after that she had to cope with the sky exploding.


Later... and tales reach us of the most outrageously original Rock and Roll stunt of the Festival . Disorientated by a cocktail of totally legal substances two nearby festival goers got so wrecked they got their ears pierced by accident (?) , then ran off without paying to lie prone in the campsite trying to pool their mental resources in an doomed attempt to eat a Mars bar. Only the hasty administration of a chip sandwich prevented them becoming the Peter Green and Syd Barret of Long Marston.


("DRUID" bought in rather large quantities and available from the rather sad "Legal Highs" stall. Laced with that slightly lesser well known mind altering substance "L.S.A" ....."Lucy In The Sky With Armadillos ?" mused Kye)


Thank god I had something healthy to be going ton with - like a bottle of tequila. (I was totally unconscious within an hour and still not over the experience week later)

DAY FOUR:
As every other day - wake 6am absolutely freezing. Put all my clothes on. Wake up again at 9 boiling hot. Take them all off. have to evacuate tent by 10 - its an oven in there...

Lunchtime. Everyone else gone and we begining a desperate search for some shade. Difficult as all the secluded bits in the main stadium have been used as toilets.

(Night before I had taken a short cut and had to step over two girls having a shit.)
Now praying for home and wondering how bad the queues will be tomorrow ("Lets see.... six hour jam on Thursday and Friday.... how big will that be when we all leave together ?"). Got the first symptoms of Heat stroke just thinking about the inside of my tent.


Everyone outside the comedy tent were we are huddled (with every other sensible person), is looking like the remains of Lawrence of Arabia's Akabar expedition as they cross "The Suns Anvil". Kye says he is thinking of leaving early. Tonight. He apologises. I begin to laugh hysterically and lose the ability to blink. He suggests we get a drink. I am grinning so much I can only nod my head.
Mere hours later we back in the sticky clutch Nova headed home. I am still suffering. Kye and Cath, who seem to like each others company A BIT TOO MUCH are now determined to go to the Reading Festival this year and want to know why I'm not interested.


I suggest, as an answer, that they just put me out of my misery and go on a rampage - kilin' everyone they meet, like Micky and Mallory - they could just become Devon's NATURAL BORN KILLERS.


There is a pause. The sign saying "KEEP DEVON SHIPSHAPE" goes past.


They make not entirely convincing excuses not to go on the rampage and tell a Devon joke. 


Two cows in a field. One says to the other "You know Daisy, Oim a bit worried about cartching this 'ere mad cows disease thing."
"Oh ?" says Daisy "Oim Nart"
"Why's thart then?"
" ' Coz Oim a Tractor !"














Wednesday, 14 September 2011

I'LL BE YOUR MIRROR, Alexandra Palace, July 2011

See
Picasa picture album

Nearly three weeks into serious London contract I finally got a copy of Time Out .. and not for the first time was buying tickets before I fully new what I was doing, 

ILL BE YOUR MIRROR is the first of a London reflection of ALL TOMORROWS PARTIES, the alternative music version of Glastonbury Festival (remember when that was Glastonbury itself?). I've always meant to go to an ATP event but never got around to it.

I was as blown away by the venue as much as I was by the lineup. For those exposed to the coolness of Luther Arkwright, it was as if Bryan Talbot redesigned Glastonbury for a paralell Imperial Britain 2011.


I would pay 20 quid just to get this much access to Alexandra Palace, the north London counterpart to the long lost Victorian Disneyworld that was Crystal Palace. Ally Pally, (as nicknamed by Gracie Fields) was used as a BBC studio studio for first tv broadcasts (Quatermass was filmed live here) and used for crowd scenes in the movie adaptation of 1984.  I've been here before, it is used as exhibition space and is a great venue for the London Bike show inh freezing Jan-Feb every year.

We had the run of most of this, a fabulous piece of large scale Victoriana, incredible setting for a music venue and strange for summer as it could work even better in mid-winter <surely better than Minehead Butlins, the usual venue in the west for ATP>

The amount of wide open space was staggering, with the attendance probably limited by the local transport infrastruture,(the tiny nearby tube station) rather than the size of the venue itself. For those struugling with the vast penned in mobs at the major festivals this place is a very sureall dream. Drinking mojitos in a leather armchair with a vast glass and ironwork ceiling far above is not part of my usual Festival experience. In the Panorama room there is even enough room to have an area dedicated to previous music events at Alexandra Palace.

Music early on looked pretty challenging so I avoided it.
Having staggered around taking picture for the first hour or so I found myself in the cinema room, a tall anti-room of drapes and classical statutes showing the John Ford classic Western,The Searchers. ATP events are typically curated by the headline act so this would have been a Portishead choice, and a good one if you know westerns, The Searchers covers racism and the Indian war with a sophistication way beyond that of the average John  Wayne film.

The next film, Treasures of Long Gone John, was a typically eclectic art documentary by way of Bristol tastes, in that it was fascinatging and seriously lacking in the pretension you might find throughout London art subjects.

To follow the  Bryan Talbot steampunk theme, the latest PJ Harvey sound could be mistaken for a Bryan Talbot soundtrack in it's folky yet cynical steam punk. She could be playing Womad or Download with it, it's so unlike anything else I can think of. (More Peej raving can be found in my previous post).

PJ Harvey's new look is kind of the daughter of David Warner's character in The Time Bandits. She was Evil's spawn, mocking Englands military record with slicked up and out alien queen hair, cenobite dress design and playing a lyre or some other form of twisted wind (or maybe winged) instrument.
Pic ripped off from http://www.peterjbutlerphotography.co.uk/2011/07/25/photos-atp-ill-be-your-mirror-curated-by-portishead-atp/


It was a stunning setting for Let England Shake. Even late in the day light was streaming through the huge victrian iron glasswork above and through the vast stained glass window at the rear of the main hall. She did a smattering of old stuff but nothing I thought older than Stories From The City. I was a big fan of Polly's initial 'angry vagina' music, but lost interest in the mid 90s when she, as a Yeovil native, came out on the side of the Countryside Alliance in the field sports debate. The set included lots of stuff from the new album and it is very rare that new material is preferred by the audience so much over old. Her band, John Parish and co, got a massive reception and require further investigation. 

After a further explore I was able to witness Portishead materialising on stage to play their set.
To finish off my rant from previous posting (M-Shed), right now Bristol is a creative hub in the way that Manhattan was pre gentrification and London is now only in the East. Bristol a scaggy alternative mess that throws out creativity like the big bang with an amusing accent. Real art comes from edgy places not from cozy museums.

Going back to the band, likely the main reason the Festival was happening at all, I thought I'd seen Portishead in the past but I'm probably getting mixed up with Goblin, who I saw at  the Scala two years ago (Ill post that review, my return to the Scala) up here at some point.

Within about two minutes I'd realised I'd not seen Portishead before.

Even live they are like nothing else at all, broadcasting live from a phantom zone of pure damnation from where they have been banished  for millenia, since before the big bang. They have always been out there playing their live set and always will be.

When the band came on the video backdrop wasn't the direct live video feed you might see at with a normal band or music festival but but their live feed distorted with doomed black and white feedback video, producing a performance discovered by long lost members of the BBC radiophonic workshop. It was a live performance which seemingly has haunted old tv studios for the last 40 years.

Most of the material seemed to be from the third album (influenced by  80s soundtracks <hense Golbin has recently reformed>) and very roundly received by a very young crowd.

Actual highlights for me were the songs from the self titled second album. Whatever part of Hell the material from Portishead by Portishead came from, it must be a postcode that even the devil tries to avoid. Check out the amusingly skeletal wiki entry Portishead | PortisheadThe first album, Dummy, now sounds like Amy Winehouse in comparison.

Portishead | Portishead.
The title itself is a doom laden feedback loop :-)

Emphasising their cold otherworldly isolation the the video backdrop before the band came on was the BBC 70s test card. As if it wasn't wierd enough for me the girl in the vintage BBC test card always reminds me of my sister.

I left early because I didn't think Ally Pally could handle a mass festival exit. The perfection of the place as a festival venue was so total I was expecting a disaster somewhere, and I judged that would likely be in the after hours transport links, Alexandra Park tube station being barely big enough fo 30 people. I was also aware that I had to be working the next day (Sunday) on the UK Department of Energy Smart Meter specification.

To Sulveg, the Oslo archeologist, if you are ever reading this I hope I brightened up a pretty depressing Saturday...

Mojito bar sadly missed in 2013